天美传媒

Nov 28, 2025

The Place of Imagination in Being Placed

Renewing our imagination invites us to see ordinary landscapes as sources of relationship and possibility. How might our sense of belonging shift if we approached place with more curiosity?

My relationship to place begins with a command to leave it. 鈥淵ou鈥檙e not gonna farm,鈥 my dad told me. 鈥淵ou鈥檙e going to college.鈥 Where was college? Not anywhere close to our Moulton Township farm, Murray County, Minnesota. It was someplace, probably in a city. To a seven-year-old kid, 鈥渃ollege鈥 was nondescript, an abstraction.

This instruction was part of a planned attack on my dad鈥檚 part to detach me from the small farm that was his passion, and then his ball and chain, and then his heartbreak. 鈥淲hen you get married, move away from here, never look back,鈥 he said. And finally 鈥淟eota鈥攖hat鈥檚 a cult.鈥 Leota was the tiny town that was always cast as one thing: too small, too gossipy, too confining.

The Midwest is supposedly an easy place to leave. Many are the stories of young men and women who grow up on the farm and move to the city where their work ethic is valued and harnessed by industry. The stories of city people that move to rural places, by comparison, are viewed as anomalous, an exception to the rule.

As I grew older, it became less acceptable to walk the creek as a pastime, so I started carrying a gun, hunting pheasants鈥攋ust another way to keep walking the stretch of land, that became in a very true sense of the word a friend.

Maybe leaving the Midwest is easy in its generic form. If we take the Midwest to be 鈥渇lyover country,鈥 a huge swath of countryside that鈥檚 monotonous, in which everything is the same (it鈥檚 not).

But for me, it鈥檚 not the Midwest in general that鈥檚 at the center of the question. It鈥檚 that small Moulton Township farm, above a half-mile stretch of Champepadan Creek. I started walking that creek as a kid, noticing its slow, silty parts and its quick gravelly parts. Noting where I saw crayfish and minnows and once even a perch. Observing where the tile lines came in and where there were still wet spots. I still consider the time I surprised a beaver and saw it swim the length of a pool as contact with mystery. Today, there are still beavers in our branch of Champepadan Creek, making a mess of things, meaning I鈥檝e known the strand of beavers there going on forty years. That鈥檚 relationship.

As I grew older, it became less acceptable to walk the creek as a pastime, so I started carrying a gun, hunting pheasants鈥攋ust another way to keep walking the stretch of land, that became in a very true sense of the word a friend.

I still have a stake on the small farm I grew up on, even though I don鈥檛 live on it or make my living from it. I know this is not normal. I understand that I can afford to have a view of the farm much like Thoreau, who went through a process of viewing and buying a farm he admired. His primary goal was to buy that farm to preserve it. 鈥淚 was in haste to buy it,鈥 Thoreau says, 鈥渂efore the proprietor finished getting out some rocks, cutting down the hollow apple trees, and grubbing up some young birches which had sprung up in the pasture, or, in short, had made any more of his improvements.鈥

I鈥檝e seen our farm 鈥渋mproved鈥 over the years: the creek straightened, lush waterways tiled out and then farmed completely through. These changes made sense economically. They made it less of a place.

But I鈥檝e also seen thoughtful, relational moves. My nephew farms the land now. And he doesn鈥檛 push the land like he might. He makes choices that are creative, even playful. He put the waterways back in. After the wet spring of 2018, he cut his losses and used a government program to sow the land in turnips鈥攖urnips! That fall, cows plodded across the fields pulling up and then chomping on the overgrown tubers. 鈥淭hat ground is going to be just as soft and aerated as you can imagine!鈥 Austin鈥檚 dad told me proudly.

Then, this year, I heard that he had enrolled part of it in a wildflower program. While hunting this October, sure enough, I broke through a wall of corn鈥攔ecord setting corn鈥攊nto an open space, a late wildflower blooming at my feet.


I have at least two colleagues鈥攎ountain people, hiking people鈥攚ho feel very alienated from the northwest Iowa landscape, a landscape very similar to the one I love. Go walk it, I want to tell them.

Walk what?

I was never so offended as to hear a prairie connoisseur say about my part of the Midwest, the tall grass prairie, that there 鈥渨as no there there.鈥 The writer was borrowing a line from Gertrude Stein, who returned to her hometown of Oakland to find it less of a place.

But who was I kidding?

The dominant feature of the Midwest is the Jeffersonian grid, the landscape broken into 5,280 foot squares that could in turn be easily broken into 160-acre quarters that yeoman farmers could make their own. Thus, the dominant feature of the Midwest is its salability. Most of that wide open space of Middle America that was so daunting to the founding fathers is now privately owned, most of it has been utterly changed.

The original tall grass prairie in Sioux County, for example, is 99.9% gone, transformed into corn and soybeans agriculture. Take any landscape in the world and remove 99.9% of it and tell me it wouldn鈥檛 be thought of as abomination. Brazilian rainforests. Appalachian hard woods. Paintbrush desserts. All of it now farmed in perfect squares, one tenth of one percent left in some random corner where no one sees it.

Today, like it or not, the Midwest is an industrial landscape. Walking in it鈥攊n the countryside鈥攊s akin to walking in a big box store section of a city: you could do it, but why would you want to? Also, it鈥檚 technically privately owned so you could get kicked off.

There is, of course, a cheat code to get to the land that has some wild to it, some character: a gun. I find access to the land as a hunter. What waterway or soil bank would be good to walk and who owns it? Who can I talk to get onto it? This takes me to some interesting places. There鈥檚 some Pheasants Forever land west of the town where I live that has the best big bluestem stand I鈥檝e ever seen. But it鈥檚 not comfortable to walk in a wild place where you鈥檙e the only one without a gun.


As a young man, I once wrote an essay that began, 鈥淕od has laid the prairie chicken on my heart.鈥 I had been reading about prairie chickens and their bulbous, libidinal .

If we don鈥檛 want to be flyover country, if we want to put some here here, the place to start is with prairie. And with reseeding our imaginations, to consider what was, what is, and what might be again.

This particular fascination was part of a much longer process of reseeding my imagination about the place where I lived. Our Moulton Township farm was flyover country until I came to know something about it. The sweet clover sowed in the 1980s by the Conservation Reserve Program led me to the original prairie grasses in roadside ditches. Following the creek itself eventually led me to the Dakota name for it, the Champepadan. And finding out that the pheasants I hunted had the United States led me to the native prairie chicken, a way to imagine my way into what the landscape was and might be again.

Once, in my lifetime, a prairie chicken was spotted in the county where I live, . It was an anomaly鈥攂ut it could also be a harbinger. Of what鈥檚 to come.

Consider this essay another call to make the Midwest a place where there鈥檚 some there there by remaking the prairie鈥攁 prairie that鈥檚 walkable. What would it take? Five walkable acres in every section? 6.4 acres, 1% of each section? Someone, maybe someone in Dordt鈥檚 very own environmental science or biology department, probably already has a good measure in mind.

We can do it, you know. 鈥淲e can live any way we want,鈥 Annie Dillard says in the essay 鈥淟iving Like Weasels.鈥 We can stitch together pieces of the tall grass prairie from Canada to Mexico, not only a wildlife corridor but a human one. If we don鈥檛 want to be flyover country, if we want to put some here here, the place to start is with prairie.

And with reseeding our imaginations, to consider what was, what is, and what might be again.

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About the Author

Howard Schaap

Howard Schaap serves as professor of English at 天美传媒, teaching courses such as Advanced Nonfiction Writing, Multicultural American Literature, and Environmental Literature and Ethics.

His writing often centers on the intersection of place and faith. Recent essays include in Reformed Journal, and 鈥The Place of Imagination in Being Placed鈥 in In All Things. He presented the academic paper, "What We Talk About When We Talk About Faith: Augustinian Spiritual Writing and Meghan O鈥橤ieblyn鈥檚 Interior States," at the Midwest Regional Conference on Christianity and Literature at Wheaton College in 2023. His first book, , explores place, history, and faith through stories of farming, fishing, and failure in America鈥檚 lost landscape, the tall grass prairie of the Upper Midwest.

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